Thursday, February 28, 2013


Order of the Oppressed Vlog #4: How to make a FAKE Secret Society

Thursday, February 14, 2013

Visualizing the Characters


In my apartment, I have the following photographs on my wall to help me visualize each of the characters.



Onus
Onus is the narrator. I am not sure if he is the main character... or if the group as a whole is the main character. But he is a young black man who grew up in the suburbs and eventually joins the Order of the Oppressed. The story is told from his point of view. Onus is not a dancer, however the pictures in the top left corner help me to visualize him with his shirt of. Which is a huge portion of the story.

D'Angello
In the novel, D'Angello is a strong gay man. He is slightly effeminate but not that much. He is well liked and popular.


Sherrod Rashard
Sherrod Rashard is an emcee who is very spiritual. He does capoeira, yoga and tai chi. And most of the time he is very in tune with himself.


Gurudas or Guru

Guru is an emcee as well. He just drops his first albulm at the time this story takes place.
Malice is one of the seniors who is already in the Order of the Oppressed.
Manuel is one of the seniors who is already in the Order of the Oppressed.
 Roman is a suburban Black man who is tapped by a white order on campus called the Order of Icarus and Phoenix
 Laverne is a very intelligent and popular student on campus who has a sexual reputation that proceeds her.

Order of the Oppressed Vlog 1 and 2


Order of the Oppressed Vlog One

"Hey, I'm Lhea J. Love. And, I'm a poet who is attempting to write my very first novel. Okay. So, it all started several years ago, when I found out about a secret society called "Order of the Men of Oppression" who had a lot of things that based off of  the Masons. And, they helped people escape during the Underground Railroad. (Escape towards freedom) This was the very first time in my life that I knew I wanted to write at least one novel. So, I began to ask myself, well, what if this society still existed today, what would it look like?

"I imagine that it is possible that society could take place on a college campus. It could have morphed into a college fraternity and secret society. So I set my novel in 2001 and I have a sububan guy named Onus who knows nothing about being Black and who's learning about himself and his history when he joins this order.

"SO I found the real article around 2006 when I was a senior at the University of Michigan. I believe it was in the Detroit Post. It was in an actual newspaper that was the forerunner to the Detroit News and Freepress..."


"Hi, this is Lhea J. Love. Now, you may be wondering, why am I spending so much time creating vlogs when I need to be writing my novel. The truth is, I have absolutely no idea how to write a novel. So this vlog, and the blog, are to help me figure out how to find the most perfect form for the narrative.

"First, I do want to thank my professor Dr. Tiya Miles whose class I was in when I found the two articles that would be the inspiration for the novl. The first article I found was in the Detroit Tribune and it was called "Freedom's Railway"; the second article I found was in the Detroit Post. And, it was on Sunday May 16, 1870. It was entitled 'Underground Railroad'."

Tuesday, February 12, 2013

The Stage Play

Everyone tells me the the only way to finish anything is to set a deadline. I would like to present the first version of Order of the Oppressed some time in June 2014 for Father's Day.

  • The plan so far is to charge $10.00 for tickets and to give a free soundtrack to everyone who attends the event.
    • So far we have  gospel, spoken word, hip hop, instrumental and acoustic artists who have agreed to be on the soundtrack!
  • A few people suggested kickstarter for the first production and producers thereafter.

Contact me at lheajlove.writing@gmail.com, on the facebook or in the comments below if you would like to offer suggestions or participate in the stage play!

Order of the Oppressed Characters


Order of the Oppressed Characters

1. Onus -- The Narrator
Onus is a freshman at Michigania University. He was raise in an all-white suburbs and was blindly placed in all black residence hall on campus. His favorite authors are Mark Twain, Ernest Hemingway and F. Scott Fitzgerald

2. Dred -- The Roommate
Dred is a senior at Michigania University. He loves everything dealing with Black Culture. His favorite books are: How Capitalism Underdeveloped Black America, How Europe Underdeveloped Africa, and Black Genius (the one by Dick Gregory and the one by Walter Mosley).

3. Check -- The Underdog
Check is a sophomore. His parents are West African but he was born in the states. He tries to fit in but for whatever reason Dred's friends always push him away.

4. D'Angello --
D'Angello is popular and well thought of. He is openly gay and most of the men on campus respect him because of it. He is close friends with Dred, Guru and Sherrod Rashard.

5. Abdullah --
 Abdullah is a devout muslim. His mother is Black American and his father is Arab. He does not know any of the other characters that well.

6. Lorenzo --
Lorenzo is a brown skin Mexican student. He is a devout Catholic and he loves sports.

7. Gurudas --
 "Guru" is an independent hip hop artist. He has just dropped his first CD at the start of the school year when this novel takes place... in Fall of 2001.

8. Sherrod Rashard --
 Sherrod Rashard is a very humble, spiritual brother. He prays, meditates, does tai chi and knows capoeira. He is also an emcee who loves freestyling. He is a sophomore

9. Malice --
Malice is a member of Order of the Oppressed or Omicron Omega. He is quite conceited and thinks that everyone has something to prove to him.

10. Manuel --
 Manuel is also a member of the Order. He is humble and quiet and a devout Apostolic Christian. He is slow to anger and always encouraging.

11. Roman -- The Token Token
Roman is very similar to Onus, the narrator. He also grows up in an all white environment. But when he moves to college he joins the predominately white Order of Icarus and Phoenix or Iota Phi.

12. Chase --
 Chase is a somewhat conceited white student. He's against affirmative action but he loves Roman like a brother. He thinks if Roman can do it, any other Black person can go to college without Affirmative Action. Chase is also a member of the Order of Icarus and Phoenix or Iota Phi.

13. Laverne --
 Laverne is a close friend of Dred, D"Angello, Guru and Sherrod Rashard. She is somewhat popular but also known for being easy. On one hand people love her; on the other hand people call her a ho behind her back.

14. Samantha --
Samantha is an ultra cool, super-feminist. She is an activist on campus who also hangs out with Laverne, Dred, D'Angello, Guru and Sherrod Rashard. She always tries to talk to Laverne about being more "conscious" but Laverne doesn't listen. Samantha is torn because she is in love with Roman who is fiscal, social and theological conservative. Samantha's favorite books are The Vagina Monologues and anything by Alice Walker, bell hooks, Patricia Hill Collins or Angela Davis.

The Prologue

Order of the Oppressed Prologue
By Lhea J. Love copyright 2006-2013

Prologue: 2001

     We were as boys, then, lower lip falling, brows glistened with sweat, standing askance and peeping into manhood. We did not cry but we should have when D’Angello stood naked amongst us. Though I have lived with myself for eighteen years, the night D’Angello bent and bowed with his own penis erect, unclothed was the first time I realized that I, too, had one.
    He was crying but I could not hear a sniffle. The tears blended disguised from the sweat of his face. I doubt anyone could find a single tear or flaw. He was perfect. I only knew he cried from the color of burnt orange that seemed to lead from the depths of his thoughts to the center of his eyes. Blood shot, he grimaced holding his composure though clenched teeth. If he forgot to breath then the six of us – remembered. Our hearts lept with our lungs, waiting for this moment to pass.
    “Stand up, dammit.” Malice barked and we all stood at attention immediately. To be fair, the question that Malice asked D’Angello was the same question that Malice asked me, the same question he asked Check and also the same question that he himself was asked four years ago. Oppressed or not, to be a man of the Order you must first be a man. And to be a man there is only one correct answer to Malice’s question.
     “Motherfucker if you don’t look me in the eye.” Malice’s chin rocked upwards from left to right his forehead falling inevitably as he spoke with vintriloquy no one knowing the color of his tongue.
    We all moved closer so that D’Angello could be near
     We weren’t much protection. The six of us signals –  Check, Abdullah,  Lorenzo, Guru, Sherrod Rashard and I – formed our tightest circle, our cipher. We were still fully clothed in our brown jerseys, brown sweats, brown boots. We stood shoulder to shoulder blocking naked D’Angello from everything except Malice’s words. D’Angello stood with a vulnerability semierction that was more erect than semi. With buffed nails and polished toes, he waited.
    “Are you gay?” Malice’s words fell into the empty hush of the void. Three words fell into our mosh pit taking the place of all our thoughts which remained unsaid.
     It would have been simpler just to say no – so the question would fall onto Arjeet. Or maybe it would have been better if D’Angello had hesitated. But he did not. He confessed to what we already knew and really should not  have given a damn about. But Malice cared. And his care turning, cycling from concern to rage to violence spurred the battle royale of the night.  Each time D’Angello answered yes, Malice reached with dirty nails for an eye, a shoulder, an abdominal. And each time D’Angello was given a second chance to be a man, he still confessed yes. “Yes, I am.” Or yes, I am gay.

     And for all our twelve hands, twelve knees, twelve cheeks, twelve elbows, twelve feet and twelve shoulders – we did a shitty job of protecting D’Angello from the traditions and rituals of Black homophobia. We stood in front of D’Angello without blocking or we blocked without effort because maybe the six of us were really curious of what being both strong and gay looked like. We expected him to change. To put up the truce flag, the white cloth and say I confess I am confused—I am not really gay. But he did not stutter. Not when Malice came with fist or Mannuel or many, many men who did not want the legacy of their greatness to be in the hands of a man who held hands with men unashamedly.
    There was blood. We watched it fall. From where? We don’t know. But D’Angello never changed his reply.
    The men grew weary before he did.
     Was D’Angello more of a man than us? I don’t think any man in our cipher had met a single black woman – save our momma – for whom we would take a whipping. I think we didn’t save D’Angello because we didn’t save ourselves. We were paralyzed —- shocked and motivated, both, by his uprightness.
    Every black man in the room bore a history of struggle. Malice's grandparents' grandparents and mine were slaves; Check and Guru’s grandparents were colonized; Abdullah’s parents have been investigated for funding terrorist organizations while sending money to their aunts and cousins and great-uncles; and, both D’Angello and Mannuel's and are decendents of Blacks who decided to own other Blacks once they got free. We have been oppressed by white men and suppressed by ourselves. And we are still trying to figure this shit out.
    So, as we were raised to revere our history of captives who overcame, enslaved who rebelled and martyrs who endured, we have been taught to embrace struggle as a testament to our strength and our salvation.
    The seven of us in my cipher are the personification of struggle. We are judged and thus valued based off of how much we have endured of how well we disguise the effects.
    I am a Man of Oppression. I wear the title proudly and I carry the burden effortlessly as do the men in my cipher.
     Each person I know holds an opinion of Black secret orders. My girlfriend abhors the thought and cannot bear the sight of the Omicron brand upon my chest. She sleeps, always on my left as not to be scratched or blemished by the raised scar. Since I drafted the blood red, brown bone society, I believe the downtroddenness of oppression no longer courses through my blood.
    Now, I can’t carry the childish impression of orders and societies. The scenes my eyes have now witnessed should be barred from my thought. Still, I would not trade one moment for a different path.

     It is, admittedly, kind of humorous to watch the transformation of college students like myself that find themselves drafting who are not descendents of members past. Both Gurudas, who has become my most fond comrade, and I were two of those lost souls. Guru’s brilliance and personality attracted the Order to him and his naivete and hopefulness made the Order seem attractive. Guru and I were the kind of signals who were foolish enough to think Black fraternal orders mimicked their white counterparts. He once confessed to me he thought he would sleep with a few women, take a few tests, through back a few beers and be welcomed into private calls and secret handshakes. And yes, all of those events transpired upon our journey but coindentally and completely independent of our walk towards brotherly order.
    It is true, before a boy becomes a man he must face his own reflection and without shrieking back, declare himself changed. Many cultures have rights of passages, but no rite is passed until one face the looking glass and sees another being, until one sees a man.
    My grandfather drove me to college with two suitcases and one milk crate of books. And with one downward nod of the head, with one firm brush across my shoulder blade he left me with one declaration: “do not leave college without finding order in your house.” It took me one year to find order, one year to submit to order and two years to interpret and understand the order in my own home.

     And so a Black man’s life in America rests and grows from the crossroads between struggle and order. One day Simone’s Sinnerman meets Eshu Eleggua and must decide how to proceed.
     Proceeding through order without memories of struggle creates men who declare themselves men without actually having an identity; while a procession through struggle without order is the quickest route to suicide or homicide which for the black man, black family and black community are one and the same.
    Since compulsiveness comes to those who those who seek order alone and madness always visits those who struggle by themselves, I sought brotherhood to make sense of the world I have been thrust into or at least brothers to take the edge off of that which does not make sense.